![]() ![]() ![]() Her always aurally beautiful and caressing pianism uses a lot of color via the sustaining pedal she molds phrases with enormous flexibility, and there was never a hint of harsh, ugly or astringent glint to her lush singing tone. She is a dyed-in-the-wool Romantic Lyricist. Antonelli played all these compositions ‘con amore’. The first half of the program ended with two works by Enrique Granados (1867-1916): his Epilogo from “Escenas Romanticas” and Allegro de Concierto.Īfter intermission, we heard two early compositions by Isaac Albeniz (1860-1907): Grenada from his “Suite Espanola”, Op. Aguirre and depicts the traditional Argentinean weeping trees with soft flowing leaves whispering in the wind. The description in “El Patio” evokes the memory of J. Antonelli’s performance at this concert was the World Premiere of the original piano version.)Īnother Argentinean, Carlos Guastavino (1912-2000), followed the first four Piazzolla Tangos with Two Preludes: “El Patio” and “El Sauce from La Siesta.” “La Siesta” is a compilation of three Preludes, each depicting a different scene. ![]() (After intermission, two more Piazzolla Tangos, written in 1963, were heard. He studied in New York City with Bela Wilde, and then–upon his return to Argentina in 1940–with Alberto Ginastera and Nadia Boulanger in Paris. Piazzolla’s music has become increasingly ubiquitous and popular–almost a case of familiarity breeding contempt. Next came Four Tangos by Astor Piazzolla (1921-1992): Rio Sena Sentido nico Milonga del Angel Chao, Paris. #Allegro de concierto granados program notes series(In 1934, Ugarte wrote a second series of “de Mi Terra” for orchestra. The second part, in Lento Tempo, describes with dramatic intensity the approaching darkness as night begins to fall. This suite consists of three parts: the first, in Animato tempo, captures the motion of weeping willow trees and their shadows, depicting a scene of melancholy contentment. His Suite, composed in 1923, was inspired by the poems of the Argentine writer Estanislao del Campo and was originally written for orchestra. Ugarte, born in Buenos Aires, studied in Paris with Albert Lavignac and later became one of the principal organizers and conductors of the Colon Theater at the National Society of Music and the Superior School of Fine Arts at the University of La Plata. The concert opened with Floro Ugarte (1884-1975): his Two Preludes from “Suite de Mi Terra” (Suite of My Land). Hailed as a leading exponent of Latin American composers, performing works by such masters as Piazzolla, Ugarte, Gineo, Guestavino–among others–to audiences all over the world. Antonelli, according to the bio in the printed program, “is enjoying an active and varied career.” She has made extensive tours of Europe, Africa, Asia, Latin and North America. Rosa Antonelli, an excellent Argentinean pianist, presented a recital of mostly Argentine and Spanish composers at Carnegie Hall (Stern Auditorium), a concert benefiting Action Against Hunger. ![]()
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